HELLO !
Today, let's talk about Literature. xD
For those who haven't studied, INCLUDING ME, here's the analysis I got from SparkNotes.
It's long, but yah :D
I like it. Quite useful though.


Analysis: Chapters 1–2

The Outsiders’ primary concern is to explore the effect of social class on young people. The novel begins by detailing the differences between the poor greasers and the rich Socs and sketching the treacherous world in which they live. When the Socs jump Ponyboy in the opening chapter, it suggests that Ponyboy lives in a place where even an innocent walk is fraught with danger.
Hinton defines her characters as she thinks people should be defined in life—not according to the group to which they belong, but according to their individual characteristics. For instance, she introduces Ponyboy not as a tough street youth but as a boy who likes to read and watch sunsets. Ponyboy is something of an anthropologist, a natural role for a narrator, and he observes and records the group dynamics and individual traits of his fellow greasers. Darry is presented not as the natural leader of the gang, but as a struggling young man who has had to forgo an education so that he can support and raise his two younger brothers. Hinton suggests that greasers, despite their exclusion from the mainstream, have moral grounding and sense of decency as strong as—or stronger than—the kids from the privileged classes.
Hinton shows the constant conflict between the greasers and the Socs, but she also shows that the two groups are not as different as they initially appear. After meeting faceless, cruel Socs, we meet Cherry Valance, a Soc who is also a sympathetic, warm girl. She and Ponyboy discuss how greasers and Socs deal with their problems differently. Greasers feel their distress keenly, while Socs pretend their problems do not exist. Ponyboy’s and Cherry’s discussion reveals that, despite different methods of coping, both Socs and greasers must deal with difficulties. The conversation between Cherry and Ponyboy exemplifies the rare civil negotiation that would alleviate the tensions between the Socs and greasers far more than violent conflict. The flirtation between Two-Bit and Marcia demonstrates the social compatibility that could exist between the warring groups.
Hinton suggests that male-female friendships are the friendships most likely to result in peace between the groups. In the first half of the novel, all encounters between male greasers and male Socs result in violence, whereas encounters between male greasers and female Socs sometimes end in laughter and flirtation. This difference suggests that gang rivalry stems from male hatred of other males. Conversely, the strongly masculine nature of the rivalry means that internal group bonding is also strongly masculine. Female greasers essentially do not exist in this novel; they are discussed, but they never appear as characters. Their absence emphasizes the intense male bonding among the greasers.
In the Young Adult fiction genre, The Outsiders is unique in its early suggestion that the rival groups are not that different from each other. By establishing this commonality at the beginning, Hinton throws us off balance. That Hinton raises the possibility of resolution between gangs so early but delays resolution for so long keeps the focus on the individual issues that Ponyboy and others face.

Analysis: Chapters 3–4
In these chapters, Hinton uses symbols to represent the tensions between the two socioeconomic groups. The Socs’ blue Mustang symbolizes their class and power, since a greaser could never afford such a “tuff car.” The Mustang symbolizes the economic divide between the two groups and points to a major source of the tensions between them. In this section, and in most of the novel, the greasers move about on foot, leaving themselves vulnerable to the Socs, who are protected in their cars. Bob’s ring collection is another material manifestation of the Socs’ wealth and, by contrast, the greasers’ poverty. Ponyboy identifies Bob, a Soc, by the large rings he wears on his fingers, and, of course, jewelry of this kind is a traditional symbol of wealth. But Bob also uses these rings as weapons in his attacks, in the same way that brass knuckles are used to increase the damage of a punch in a fight. Therefore, on a symbolic level, Bob transforms his wealth into a physical weapon. Greasers, on the other hand, cannot represent themselves with material luxuries. Their primary identifying symbol is their long hair. Unlike cars or rings, hair is a costless symbol, all the cheaper because the greasers do not have to pay to cut or style their hair. Cars and jewelry symbolize the Socs; hair symbolizes the greasers. These superficial features differentiate the two gangs, reinforcing the role that material acquisitions play in forging the novel’s group identities.
This section introduces the novel’s major crisis. When the Socs attack Ponyboy and Johnny, but they also are not only trespassing on greaser territory, they are starting an unfair fight and taking advantage of the boys’ physical vulnerability. On a psychological level, this incident presents a crisis for Ponyboy because it casts doubt in his mind over the burgeoning conclusions he makes about the commonalities between the Socs and the greasers. Still, Hinton makes Johnny’s killing of Bob morally uncomplicated. If Johnny had not attacked Bob, Ponyboy would have drowned. Although Johnny commits murder, he does not lose our sympathy. Hinton portrays him not as a killer but as a defender of his friend’s life and a victim of tragic circumstance. His actions are regrettable, but his motives and values are noble—he wants to save his friend’s life.
As a result of the murder, Johnny and Ponyboy attain a new status in the narrative, as well as among the greasers. Initially, both boys play passive roles in the narrative and in their social group. Ponyboy plays the role of an observer and is seen as a “tagalong,” while Johnny rarely even speaks. By murdering a Soc, however, Johnny becomes an adult. He shows his strength when he remains calm after the murder and rationally determines a course of action. Ponyboy’s proximity to the murder makes him important, not least because he unintentionally motivates Johnny to murder Bob. Accidentally, the two boys begin to take an active role in the story, instigating events, exacerbating tensions between the two gangs, and pushing the narrative forward.

O.O That was long. :D
Have fun studying. I NEED TO STUDY TOO D: